Agatha Borges

Emanuel, an obsessive faithful, believes himself to be the new messiah, sent to save everything and everyone from the greatest evil - sin.

Mafê is a "digital influencer" who has questionable opinions about the social situation in the world.

Anonymous family materials are collected in second-hand bookstores throughout the city of São Paulo: letters and Super 8 films question the viewer about the relationship between image, memory and truth.

A group of people from different backgrounds plays the characters and figures that inspired them to be who they are.

Venus convinces Matheus to create a documentary series about their lives, attempting to bring the representation they always dreamed of during their adolescence to reality. Meanwhile, they try to balance their love lives, harsh family realities, and questionable mental health with this ambitious project. It's a last-ditch effort to boost their careers by creating something original and starting their adult lives 'for real' on the right foot.

Sheridan Le Fanu's classic story, Carmilla, is contrasted with Veronica and Amélia's, two rising actresses. Their relationship, which floats between hate, desire and passion, gets more intense when both get chosen to play opposites in the theatrical adaptation of Fanu's tale.

"Dull and uneventful days in my owner's house make life seem calm." It's what Dona Vanuza's cat thinks, day after day in the matron's senile routine. A feeling that ends when they feel their owner's delirious grief starts taking over.