Suzy Falk

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

A female vampire must bathe in the blood of virgins in order to stay alive. The trouble is that virgins are in short supply nowadays, and she is running into major problems in finding one.

David, an American Jewish painter in Brussels for an exhibit, becomes obsessed with Mimi, a mentally ill Belgium woman. As he uncovers the World War II roots of her disturbance, however, he increasingly manifests her symptoms.

A group of travelers from the United States race through seven European countries in 18 days.

Lulu's mother is depressed and has been as far back as she can remember, Lulu is determined to discover the truth behind her listlessness.

In Brussels, one discovers the bodies of young women buried behind the tombs of famous painters… In each of them, it lacks the right forearm. Yarn needles, Commissioner Leon, whose secret passion is knitting, unravels the intrigue of this dark history, with the heart of this case Mrs. Edward Island, transvestite housekeeper bistro "In Sudden Death," where one encounters a high wildlife colors.

A married woman visits an old house with a real estate agent. This event sends her into a world of obsession, and she ends up losing her mind.

Jo, a former American G.I., settled down in Welkenraedt, a small Belgian town, as a butcher. He married Tina, a girl he had met in Belgium and who now works with him in their shop. She has given him two sons, Armand, who besides being an amateur boxing champ, is employed by his parents as a butcher, and Henri, who dreams of becoming a filmmaker and who is now busy filming a documentary about Armand. 'Souvenir of Gibraltar" is the amused chronicle of this oddball family.

Social comedy about 2 forty-somethings who're looking for a new purpose in life.

Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.