Hanna Mohammed

The film narrates the world of fishermen, where they face greed and exploitation by a figure called "Sabti," who exploits the fishermen and takes everything from them, reaping the profits while they receive nothing. Mahmoud (the leader of the Nu'mani tribe) confronts him, refusing to be exploited, but he soon disappears under mysterious circumstances, leading to the cessation of the struggle.

The tale of the legendary hero Antarah Ibn Shaddad, covering the events of his boyhood and how he grew to be a valiant fighter known for his horsemanship, a figure worthy of inspiring young boys to follow in his footsteps.

In one of the popular neighborhoods in Baghdad, a disaster unfolds as a group of old houses collapses, causing a tragedy among the impoverished residents. A journalist endeavors to uncover the reasons behind this catastrophe. He discovers that Abu Fahad had constructed the house with non-compliant specifications, leading to its collapse. The journalist writes an investigative piece for the newspaper he works for, but the authorities remain unresponsive. He comes to realize that behind Abu Fahad, there is a wealthy and influential figure shielding him from legal accountability.

Hamed is arrested after he starts working in the black market. When he is released, he tries to make amends, but his obsession with money and wealth throws a wrench in his plans, and he gets arrested again.

The film depicts the biography of King Ghazi, one of the kings of Iraq in the 1930s, who sought to break free from the bonds of British colonization and adopt a nationalist path. This led various parties to attempt his assassination, including the servant Sa'id, who is also disposed of after the assassination. The film also portrays aspects of life in Iraq during the 1930s.

Fatima is a rural woman left behind when both her husband and brother depart to fight in the war. Alone, she carries the weight of survival, caring for her elderly father and young son, tending the land and livestock, and traveling long distances to bring water home. Amid the grind of daily hardship, longing consumes her. A horse once ridden and cherished by her husband becomes her sole emotional bridge to the absent men, embodying memory, hope, and endurance. Through it, she waits endlessly for their letters, clinging to reassurance that they are still alive.

In a dramatic context, Rahoumi experiences the final moments of his life as his life flashes before his eyes. He reminisces about his wife, who was unable to conceive, and remembers Naja, whom he regarded as his own daughter, and decides to leave her a significant portion of his wealth. However, his sister and her husband strongly object to this decision.