Hilton Lacerda

A man returns to his hometown and resumes a dangerous old affair...

Documentary on the life and times of one of the most prominent Brazilian samba composers, Cartola (Angenor de Oliveira).

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

On mythical Augusta Street, in San Paulo (Brazil), a journalist who seeks answers for his angst dives into the world of prostitution and neo-Shamanism rituals.

A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.

Ten years after the end of the dance music duo Verona, Elias come back to Brazil to meet his former partner, Walter, who is going to marry the young and talented Filipe. Walter lives in a countryside house, where he celebrates the end of his youth and the beginning of a new moment in his life.

Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.​

The making of an unfinished film about phobias. Says the director. Behind the screens, he discusses at length (with e.g. Coffin Joe) about the aesthetic boundaries of the project: volunteers under controlled circumstances become immersed in their phobias in order to film the fear on their faces.

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

Paulete, the star of a daring theater group, is visited by his military brother-in-law, the young Fininha. A torrid relationship arises between the two, and now the soldier must deal with the prevailing repression during the Brazilian military dictatorship.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

The story of Santinho, a young man who has been exalted to the position of a saint in a remote riverine community of the upper Amazonas state, after performing a “miracle” upon the suicide of his own mother. The film seeks to be an intimate picture of those who are involved in this sect and of the infinite human capacity of “fabricating” faith and seeking some sense in the horrifying experience of death.

The history of Simião Martiniano.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

A young doctor has a promising career in São Paulo, but the diagnosis of a serious illness profoundly changes her relationship with the world around her.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.

The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

Vitória and her son, Cristiano come back to their hometown Desterro, running away from a troubled life in the city. She asks her brother Balbino for shelter. The arrival of mother and son brings the town’s secrets and forgotten stories back to light, in strange, mysterious ways. Cristiano’s journey of self-discovery through the town’s ghostly entrails sets him in a collision course with the most powerful man in town: his uncle.