Eva Yelmani

Jo, a young woman and street circus artist, discovers the work of the professional clowns of “Nez pour Rire”. Quickly - perhaps too quickly - entering the association, she found herself at the hospital in contact with children, sick people, caregivers and families, to whom these clowns tirelessly try to bring joy and comfort. .

A filmmaker takes on adapting a book about mother-daughter relationships, stirring up memories of her own childhood trauma and the mother who left her as an infant.

A group of young actors find themselves on a movie set shooting a film. The camera cuts from the backstage to the scenes shot without cuts, and some boundaries eventually blur. The tone is initially lighthearted, but as the film progresses, a tension builds. Some realize before others that they are not there by chance.