Arié Dzierlatka

Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.

In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.

Successful Parisian lawyer Frédéric is happily married to schoolteacher Hélène. Though he daydreams of affairs with other women, he doesn't come close to acting on such thoughts until he runs into Chloé, a beautiful old acquaintance. Tempted by the vibrant Chloé, Frédéric is torn between impulsive lust and his love for Hélène.

Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to the world they once knew.

A young Swiss couple, Vincent and Françoise, plan to leave Geneva and settle in Africa: a friend of theirs living in Algeria promises to give them a job there.

After 10 years separation from his wife, a film director (Jean-Louis Trintignant), imagines he can make up with her by giving her a part in his next film, an adaptation of Tshekov's "Three Sisters". He goes location scouting and stays in Bex, a Spa near Lake Leman, together with the three actresses : Julie, his ex-wife (Delphine Seyrig), the mysterious Cecilia, that his producer wants him to take (Lea Massari), and Esther (Valérie Mairesse), a teenager. They all stay in an old decaying hotel. In this isolated mansion the four of them will fight but also discover each other.

Paul has left his wife and children. Now his wife and ex-mistress is on the hunt for him.

A TV reporter and his assisstant go to a small Swiss village to do a programme with a reclusive scientist, an expert on world food shortages. During this time, an Italian immigrant worker is killed in a road crash and the reporter becomes involved in uncovering the truth about his death.

A manufacturer of furniture sees his business go down and decides to rob banks to pay his staff. Het gets romantically involved with one of his victims.

A young drifter meets up with a strange old man who claims that he has been taught to fly by birds

She's a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three.

A young woman in a lesbian relationship keeps a diary that is stolen by a young man who loves her.

The relationship of a adult man and a young girl.

The efforts of an aspiring filmmaker to include an unwilling woman in his production.