Hannah Wiker Wikström

Instead of finding a “proper” job, Alf, pushing 40, lives with his mum and drifts though Norrköping’s cultural scene. Chats & faces, routines & intuitions, local politics & everyday life – the intimate and the social, in black-and-white analogue images.

A vacation house in a rural Swedish forest setting is observed by mysterious forces transforming into modern ghosts in city life. Shifting into forms of what we cannot yet deal with. Kaleidoscopic visuals following a constant shift between micro and macro perspective inform the form and narrative in this experimental hybrid art movie exploring film from a post-humanist perspective.