Mateo Scoppa

Manuel, a young filmmaker, seeks help from his friend Facundo to develop his script. Together they make the story come to life and the characters become independent. However, at the end, different possible paths arise that strain their relationship.

Nacho, Benja’s best friend, is gone. In his place, there is only an obscure object. Benja waits for him, trying to decipher the clues he left behind. But even if Nacho does return, there is no certainty that he will be the same as before.

An artist, both nervous and distracted, finds himself under interrogation for a crime he possibly did not commit, even though his hands are dyed red.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

Miguel, a tough father, Laura, a lovely but very permissive mother, and Valentina, his seven-year-old daughter, happily return from their vacation by car. However, a sudden fight between the father and his daughter leads them to possibly irreparable damage to the family.