Aaron Hong

Inspired by the true story of a family who believed they were possessed by spirits. This film follows a woman who must protect her child from a curse.

After finding an odd envelope, Policeman Ming-han's life takes a spooky turn: He's now wed to a ghost husband, and they must solve a crime together.

Ah Lun, who has a choice to make in the underworld, decides to be a god of love in Chinese mythology. As he advances with his tasks on Earth, his biggest challenge is to tie a red string with the woman he loves the most.

The founder of a corporation developing a futuristic cancer treatment is brutally murdered, and a prosecutor sidelined by the illness asks to lead the case, assisted by his newly pregnant detective wife.

Xiang Wei-xin, a 17-year-old high school sophomore, regards eating as the most important and most healing thing in life. The first time she met her senior Tao You-quan was in the school's welfare agency. At that time, Xiang Wei-xin lost 5 yuan and could not buy her favorite pineapple bread. Tao You-quan made up the money for her, which made her feel deeply indebted to her.

Feng runs away from her rural home to pursue singing in Taipei but is trafficked to Japan as a prostitute. Years later, she returns to Taiwan, burdened by guilt and avoiding her family while secretly sending money home. Her brother Ming, now a police officer, searches for her, unaware of the life she now leads. Their paths cross under difficult circumstances, forcing both siblings to confront their past and present.

Senior talent manager Le-Fu and commercial director Po-En have been in love for years. Due to their age gap and traumas from original families, neither has been willing to commit to the relationship, until a big surprise hits Love on her 45-year-old birthday and both of them are forced to decide on what their future will be.

Across three eras, eerie dreams of a red snake connect the intertwined fates of two families. In 2026, Xiao Lian’s play about her grandmother Paochu’s guerrilla tales sparks a political backlash. Seeking Paochu’s hideout with the guide, Yulao, they find a dead Vietnamese logger. In 1989, police informant JunXian breaks from his handlers after confessing to Ya-Hong, Xiao Lian’s mother, who's the editor in chief of a magazine, then is framed for robbery and is tortured by the police. In 1952, A-Kun, an idealistic enforcer for Paochu’s guerrillas is also a henchman for them. History repeats itself as love and justice struggle against a legacy of hatred.

At Home of Happiness, a devoted social worker struggles to reform troubled youth while the institution falls into crisis. A bullied boy clings to his late mother’s teddy bear as his world collapses. A former resident, lured into a telecom scam, faces a moral dilemma that threatens his life. Across different paths, each must confront the scars of the past and decide whether to fall into darkness or fight for a way forward.

Elder sister, Spring, seeks her origins before heading to university, Autumn, the mother, grapples with conceiving a child through artificial insemination, Summer, the younger brother, tries to engage with a paternal figure he barely knows just before his military service, and Winter, the father, desperately tries to change his fate as problems mount up.

After a failed attempt to take his own life, a man discovers he's returned with four ghosts seeking to fulfil their last wishes in hopes of earning his own place in the afterlife.

On Green Island in the 1950s, the female thought prisoners chose to fight for freedom, but were more forcefully suppressed by the authority. They held on to their beliefs and hoping for true freedom to come.

The night before Wei-Kai's best friend went to study abroad, Wei-Kai couldn't sleep, and his desires turned into fantasies.

Cheng-han and his three buddies grew up in dysfunctional and poor families without adults protecting them. One weekend, they meet Pin-ran, who is traveling alone. They have a great time together and Pin-ran joins their “Robinhood” activities and commits crimes: Theft and robberies. However, the boys soon realize that Pin-ran belongs to another world. Cheng-han discovers that he has feelings for Pin-ran. His buddies have other wishes and desires…

A misplaced time of youth, is like playing badminton in a tennis court.

Tai-shian is locked away in his own autistic universe, totally lost to the world. His parents spend every day looking after him, rendering Tai-shian’s little sister Debby completely invisible to her parents…until one day, when both parents are gone, and Debby finds a new task thrust upon her.

It is often said that those who make films are madmen, and those who watch them are fools. A group of individuals strives for the next box office hit, as the director creates a memorable allegory in a tense yet humorous atmosphere.

Wan Hong-Yuan and Chen Jyun-Kai have been friends for years. One just broke up with his girlfriend, the other can't find a job. They decide to go to the mountain.

After a devastating breakup, Hsing becomes emotionally numb, feeling unable to move on. To end his agony, Hsing decides to set out from southern Taiwan to Taipei to demand an apology from his unfaithful ex-boyfriend. But in the bitterly cold northern city, tangled desires bloom like a thorned flower—hurting him in return. While his ex finally offers him an olive branch by expressing remorse with kisses, Hsing just snaps. In that moment, apology, forgiveness, and revenge collide, leading to an irreversible act…

Kai wants to become a pastor, following his father's footsteps, which causes a misunderstanding between Kai and his closeted boyfriend Jay. On the other hand, Jay is thinking about going abroad for his training in the soccer team. They find themselves struggling with each other's choice.

In the early 1980s, hundreds of the so-called female revenging/exploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge. The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.

After the typhoon, it rained again. A young girl ready to end her life and a middle-aged man grieving his dog's death briefly meet while seeking shelter from the rain.

Weng Wen-fang (Hsieh Ying-hsuan) came from a political family. She joined the Justice Party as the deputy director and spokesperson of the Publicity Department, after failing to be re-elected as a member of the Council. She led the publicity team in realizing their goals, but not without facing many challenges to their faith and values.

“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

Directed by Peter Ho, the ten-part show with 60-minute episodes, explores relationship issues and marital challenges, and depicts painful dilemmas for the characters through a unique lens on their daily lives. The screenplay is by Ho and Chiang Yu-Chu.

The Qiaotou youth LI Wen-hsin was arrested during the December 10, 1979, demonstration spearheaded by Formosa Magazine. After being thrown into prison, he learned a way to survive: mixing saltwater with white rice. He also recalled wonderful times with his girlfriend A-chun, the joys and suffering he shared with friends and family, and his longing for democracy. In this prison, referred to by inmates as the “Hotel Saltwater,” Wen-hsin and his companions, though suffering greatly, never let their thirst for freedom be extinguished.

Lin Chia Li grew up shuffling between her parent and grandparents as a child. Despite becoming an actress, Lin Chia Li felt lost and insecure until she found Buddhism. Chia Li learns that despite how uncertain you are in life, everything will be okay once you find that "home" that calls out for you.

Jian-zhong did not like going to school. At 18, his family factory went bankrupted, and his father ran away, leaving behind a huge debt. He could only stay by his mother who juggled various jobs. She would not sell the factory, and tried everything to pay the monthly mortgage payment. Shortly after Jian-zhong came back from military service, his mother passed away, further escalating the conflict between him and his father. At 41, Jian-zhong works away and rarely comes home. He returns for his mother’s bone collecting ceremony, but accidentally travels through time back to 1989, the crucial year in which the life of his family was turned upside down…

Idealistic and passionate rookie lawyer Yen-ching takes on the case of a death row prisoner Ming-te, who has been sentenced to death five times. Yen-ching, initially harboring no high hopes, begins to believe in Ming-te’s innocence as she delves deeper into the case. Firm in her conviction that law should represent justice, she submits extensive evidence to prove Ming-te’s innocence, only to be disregarded by the judges. Yen-ching soon realizes that she is not merely fighting against the legal system but against the inherent human nature of prejudice. Now faced with the challenge of toppling society’s deeply ingrained “presumption of guilt” principle, Yen-ching strives to save Ming-te from his imminent execution.

JIANG has just begun his career as an after-school tutor. He has a great sense of humor in teaching but suffers from intimacy issues due to the influence of his parents who endure lifelong mental illnesses. Failing to obtain commitment, JIANG’s girlfriend Lan decides to run away from JIANG and works as an elementary school teacher in a remote village. In order to reconnect with Lan, JIANG applies for an internship at a school there as well. Eventually, JIANG not only rekindles the spark with Lan, his passion for education is also reignited. However, he still has his own problems that need to be overcome: Will JIANG suffer from mental illness just like his parents? Does he still have the ability to love?

A Taiwanese opera family spanning generations sticks together and travels around the island to earn a livelihood. On and off the traveling stage, they savor the flavors of life and experience both joys and sorrows. Fearless of hardship, they fight together with resilience, presenting the story of their remarkable lives woven with laughter and tears both on and off the stage.

The story tells about Lu Yifei, the protagonist of the bottom of life, After her mother died suddenly and was betrayed by her friends, How to rediscover the purpose and meaning of life.