Albert Simono

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?

Safecracker Eddie Chapman is languishing in prison on the island of Jersey when the Nazis arrive. An adept manipulator of situations, Chapman convinces the Germans to use him to spy on the British. And when the would-be traitor arrives home, he convinces the English to use him as a double agent -- in exchange for a full pardon.

During the prohibition era, Cornelius, a bootlegger, is on the run from the American coastguards. He comes across a silent film actress, Linda, on the set of a movie and falls in love with her.

Two brothers who can feel each others' pain and pleasure mess up the French revolution.

During the Cold War, the World Chess Championship clashed complete opposites - personal and political.

After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.

Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.

A streetwise Paris policeman who takes kickbacks from the minor criminals on his beat to allow them to continue is assigned an idealistic new partner fresh from police academy. He sets out to corrupt him...

Muriel is a shy woman who bluffs and blusters around in order to hide her shyness and to protect her loneliness, even though she longs wistfully for a companion of some sort. She has been lonely so long that now she is an old maid and has never been wooed. In this gentle French film, Muriel gets a glimpse of romance when Gabriel walks into the seaside hotel she is vacationing in. His car has broken down, and he has to stay there for a few days while it is repaired. Hers is the only dinner table with room at it, and Gabriel cannot prevent himself from charming women. She is stiff with him at first, but soon they develop a friendship.

A young botanist, an Englishwoman and her daughter are prisoners of a group of bandits operating in the mountains of Albania. A ransom is demanded. The capture of the gang leader's daughter, however, brings the situation to a happy conclusion.

Françoise looks like a sexy kitten by day, but is a silent she-wolf by night, making very clever robberies of gold jewels. Despite the interest, and competition, from Bruno, she ends a lonely she-wolf.

Bold and sultry Françoise gets hired by a magazine to lead investigations in the mysterious world of sex. Until she gets caught in the web of sadistic Dr. Vilard, who runs a very strange mental institution.

Comedy about a self-made woman in Paris contemplating the idea of suicide at first, then murder.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

The case of stagecoach robber Carl Grandison, who lived in Heidelberg as a respected merchant and committed suicide in prison in 1814, as material for an expensive (DM 5.1 million), over-aestheticized flashback film: the decorations, props and costumes are right, otherwise everything seems fake.

Daniel gets out of the hospital where he has been cured for "vampirical obsessions". But his life takes a weird turn as he transforms into a vampire and starts to kill women. Despite his young fiancee's support, Daniel's fate is definitely doomed...

To replace Hector Grofenol, the tyrannical boss of the "Tout pour le camping" factory, who has been put out of action, a group of employees call on his cousin Achille, a Provençal shepherd, thinking they can use him. But Achille is quick to take his role as CEO seriously, and becomes very enterprising. Fortunately, young secretary Martine uses her charms to calm this man with a thirst for power.

The film tells the story of Françoise Frémont, who travels across Europe on an apparently random killing spree, bumping off a series of increasingly odious men. From Swinging London to the eternal city of Rome, she leave a trail of dead bodies and the question: why? A mystery film as only Jean Louis van Belle could make it, The Lady Kills is a blast from start to finish with an amazing soundtrack of gloriously groovy psych-rock.

Two crooks think up a scheme to get rich at the expense of the vain and excessive Grand Duke.

The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

A fictional division of the National Police is tasked with the investigation of supernatural cases