Bernard Revon

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

A sleeping car employee seeking a well-deserved rest is prevented from doing so by the crowing of his neighbor's rooster. Just as he's about to settle the score, he's presented with a gift: a rubber band around the annoying bird's beak temporarily puts an end to its vocalizations. But the animal can't be left alone, and Pierre has to take it with him on his nocturnal journeys: you can imagine the disturbance it can cause when, after being thrown out of a wagon window, it lands in the next van full of pheasants. The whole little world spills out onto the train, and the conductor is not at all pleased! Pierre manages to get a young passenger to assume ownership of the rooster, but not for long. Every time Pierre tries to get rid of it, it somehow comes back to him.

Catherine Guérande, a 19-year-old Parisian girl, decides to become a prostitute after a messy love affair. She did not count on Pornotropos, a brutal racketeer who runs the profitable business of model agencies, cabarets, and camping sites, backed by Thanatos, his brother, who runs the mugging and murder side of their business. Pornotropos is not taking it well that a freelancer is around reducing his profits, and he sets his girls to harass and beat her up. Catherine does not take his mistreatment and moves to another brothel. But luck has it that an old man dies in her room, and that he was the owner of a marketing agency. Paul, a young and handsome executive in his company, decides to investigate the shady causes of death of his late boss, and when Paul meets Catherine it's love at first sight.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Late spring 1942: France is under German occupation. But this doesn't much concern the boarders of a school lost in the French country. Bernard, a rather frivolous teenager, is in love for the first time; he's fond of Marie-Helene, an older and more mature girl. To approach her is not so easy...

As a favor to his grandmother, singer Rudy Hirigoyen agrees to sing incognito, under the name Romano, in the nightclub his cousin Gustave has just opened in a small seaside resort. The staff and musicians are students camping out in the pine forest near "L'Auberge Fleurie". Grandma has rented the apartment above the club to summer guests: Commandant Portafaux and his wife.

A young woman in a lesbian relationship keeps a diary that is stolen by a young man who loves her.