Christopher Coy

When an American plantation owner's wife and her sister interrupt an African death ritual to save the sacrificial goat, the witch doctor places a curse on them, summoning a god from the sea to slaughter them and anyone in its way with a panga, a curved, African machete.

The film follows five years in the life of a young girl as she struggles against an onslaught of good intentions. From her first encounter with the social care system, through a range of foster placements, to a haunting climax, we are challenged to question how it is that so many well-intentioned people can do so much unintended damage. And how it is that the £4bn a year that people in the UK spend on children in care has failed to break the cycle of abuse, addiction and abandonment. Written by Tim Kemp

Following Southern Rhodesia’s declaration of independence, many face victory, while others grapple with violence under these new terms.

Founded in the Bronx by Jamaican expat Lloyd ‘Bullwackie’ Barnes in 1976, Wackie’s take on dub and reggae was nothing if not distinctive. Idiosyncratic by nature, and textually lo-fi by necessity, this unique mojo long served as the label’s de facto sonic aesthetic. A protégé of Prince Buster, and a former engineer at Duke Reid’s Treasure Isle label, Barnes’ touch can be felt across dozens of records including sides from Wayne Jarrett, Sugar Minott, Prince Douglas, Horace Andy, Love Joys, and fellow producer, Lee ‘Scratch’ Perry. Released in 1981, the following hour-long documentary, Bullwackie In New York, provides a priceless snapshot of the independent label and the culture surrounding it. Live performances, interviews, studio footage and more.