Cristina Proserpio

Pauline, a beguiling woman in her 60s, returns to her hometown, Turin, for the first time since she was ten years old. She has inherited her aunt’s apartment in town. In Turin Pauline contacts Dr. Angela Gualtieri, a psychologist whom she had met abroad some time before; Angela runs a maternity centre, the Melograno, a support centre where both mothers to be and young mothers with post natal depression seek help. At the Melograno they are constantly short of help, that’s why Angela asks Pauline to give her a hand in setting up an in-house archive collecting different material relating to maternity: video interviews to new mothers, mothers diaries, photo portraits of mother and child. Pauline accepts and starts her work plunging deep in an emotional material that touches her strongly: the controversial feelings experienced by women in their relation with the child.

Margherita is a 14 year old living in Milano, who shares everything with her friends. They discuss clothes, music, school and that first kiss. A delightful coming-of-age film in which the here and now is all that really matters. Where every little thing is so very important and where feelings sometimes bubble over. In your teens, there’s no room for anything but friendship and love.

On her regular day at work, Paola starts to feel that she is missing out something exciting.

Set in the multi-ethnic communities on the outskirts of Milan, three teenagers grow up and deal with love, generational conflicts, female emancipation and, above all, power struggles.

Between loves and ideals, the story of the last two years of the life of Goffredo Mameli, a young Genoese student who wrote the song that would become the national anthem of the Italian Republic