Jacques Debary

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Marseille. Heaps of flowers and funeral wreaths... "A man who no longer defends his colors is no longer a man."

For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.

A reformed gangster turns to his old associates for help after his son kills a police officer.

In the south of France, the body of a 22-year-old American tourist, Candice Strasberg, is discovered in the middle of the scrubland. Two days of rain prior to the discovery of the body made it difficult to collect evidence at the scene, as the rain had washed away the footprints. Using the victim’s diary, the police are attempting to piece together her movements. The investigation is entrusted to Gaston Delarue, the public prosecutor of Tarascon; Gérard Souffries, the investigating judge; Commissioner Bonetti of the Marseille police; and Divisional Commissioner Bretonnet of the Paris police. Among the six suspects is Bernard Vauquier, the son of the President of the Senate. The investigation proves to be as complicated as it is sensitive. But who murdered or killed Candice Strasberg? Screenplay adapted from ‘La Pieuvre’, a novel by Paul Andreota, published in 1970.

A young peasant named Pierre makes friends with John and his sister Sonia, young bourgeoisie, who invite him to their home. Pierre soon falls in love with Emily, John's mistress. After the death of the father of his hosts, he has the idea of ​​transforming their peaceful house into a brothel.

In turn-of-the-century Paris, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. In retaliation, Georges steals the fiancé's family jewels, and enjoys the experience so much that he embarks upon a lifetime of burglary.