Sinan Yusufoglu

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

Turkish modern and contemporary art, by the West, is considered as Middle Eastern, but when it’s viewed from our own land, it is seen as Western. Our position as a bridge between the East and the West is not only geographical, but also cultural; and this bridge has been a home for many great civilizations throughout the history. This rich cultural heritage and diversity is the foundation of Turkish modern and contemporary art. Approaching the western world with a more realistic perspective has turned the gaze of Turkish artists to their own land, history, people and tradition. Additionally, the personal statement tendencies of new generation artists have developed their own expression and communication methods instead of emulating the current art developments in the West.

Murat is a dedicated construction worker building a gargantuan wall for a boss whom none of the workers has ever seen. After the departure of his colleague, Ali, and his relocation on the other side of the wall imposed by Yavuz, the boss' right-hand, Murat sinks into a whirlwind of tension that leads him to struggle to meet the man he works for.

Rifat is in the preparation process of a movie about strangers chatting at bus stops, together with his long-time friend and producer, Serhat. as Rifat gets more lonely and isolated, he reluctantly asks his brother in law for financial help. Rifat, who starts to face people around him even more closely as he does not get the reactions he expected during this process, gets lost in a vicious cycle in which he keeps changing the scenario for his film.

Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.

Director's first non-genre feature film is a strictly +18, erotic, punk and emotional love letter to French New Wave which sets in the dog days of summer.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Having fled the war in Syria, Hanna and her young brother Nader are living in a run-down neighbourhood of Istanbul. Hanna's dreams and identity clash when she meets Ibo.