Amédée

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

Gervaise Macquart is a beautiful Parisian laundress and mother whose lover, Lantier, walks out on her. She eventually marries Henri Coupeau, a roofer who has an unfortunate accident. As her now crippled husband descends into alcoholism, Gervaise tries to make ends meet on her own. Life becomes even more complicated when Lantier returns and befriends Henri. Meanwhile, the man she really loves is sent to prison.

Four women are murdered, each knifed and, despite torn garments, remain virtuous. As famed police inspector Jules Maigret pieces the clues together, he comes to realise that for the elusive man that he suspects to be unmasked, he has to set a trap.

A green mare makes the fortune of her owner, the horse dealer Haudouin. Shortly after his death, war broke out in 1870. One day, his neighbor Zèphe Maloret denounces Honoré, Haudouin's son, a maverick, to the Prussians. Following this denunciation, their non-commissioned officer enters the Haudouin home and rapes the mother while Honoré is hidden under the bed. The resentment already existing between the Haudouin and Maloret families turns to hatred... A letter recalling the events is lost, which doesn't help matters.

A Belgian village is struck by repeated flooding, all this because they lack a new sewer. But the Ministry delays in providing the funding needed to build it. To alert public opinion, the villagers decide to do something. This "something" will be a play describing the life of their saint patron. Trouble follows, partly fueled by the short-tempered mayor.

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

A couple of dancers performs in a night club. The man is jealous of Gina, his partner,and keeps making scenes to her, going as far as bullying her on the stage during their act. A man gets killed. The dancer is suspected for being jealous of all the other men. Another potential culprit could the father of Gina since he overprotected his daughter. The real culprit will be unmasked after the police detective finds the murder has something to with the Occupation period.

Fernand has just inherited a saloon in Texas from an uncle in America. Despite his inheritance, he is considered an intruder. Soon he's the victim of a cruel plot: accused of murder, arrested and kidnapped by Indians and gangsters. A young, beautiful, pure-hearted Indian, moved by Fernand's kindness, accompanies him back to the village. She's sure to become the owner of the Texas hotel.