Sergei Markushev

On a gloomy March 1881, an old, sick man was dying in the Nikolaevsky military land hospital in St. Petersburg. Delirium tremens had done its dirty work: there was no hope for recovery. And this “old man” had just turned 42 years old, and it was the great Russian composer Modest Petrovich Mussorgsky. Who knows what visions, what memories swarmed in his fevered imagination in rare moments of enlightenment?

Television play based on the novel by Ivan Goncharov.

Police are detaining an opposition newspaper journalist on suspicion of murder. The prosecution's evidence is scanty and fragile. But a dirty political fuss has developed around this case. The fate and life of a person become the stake in the struggle for power.

Ostrovsky and the Maly Theatre tell us an age-old story, as old as the world itself, about how some people are destined to be simple and meek, like sheep, while others are predatory and dangerous, like wolves. However, sometimes even the most seasoned predator finds themselves in a bind...

Based on the play of the same name by Maxim Gorky.

A television play based on the eponymous play by M. Gorky.

In the capital of a European country, two people have gone missing. One of them is Theodore Amsted, a successful official, a family man, and a fairly wealthy person. The other is Michael Moginson, a strange, reclusive oddball living in poverty. Soon, a body is found at a military training ground, the victim of a bomb explosion. The police begin an investigation...

The young part-time student Boris Kulikov, upon arriving in the village of Kardymovka, learns that Buneev, the pier chief who lived there until his death, was his father. Interested in his father’s past, Boris discovers that Buneev once gave up his career as an architect after his bridge design was rejected. Boris strives to prove that his father’s ideas were innovative and valuable.

The hero saw among his colleagues a man whom he had met during the war in the dungeons of the Gestapo. This man reported that a thief from the same cell was trying to escape. The “thief” was shot, and later it turned out that he was the leader of the underground...

Based on the play of the same name by I. Popov and L. Stepanov, staged by the State Academic Maly Theater of the USSR.

The former artist, and now the director of the Glass-Porcelain trust, Fyodor Kudrin, saw an amazing engraving at the exhibition. The meeting with its creator turned Fedor’s life upside down.

Based on the eponymous novel by A.I. Herzen.

Early 20th century. Two village boys, brothers Semyon and Pavel, work as servants for a Moscow merchant. They face harsh exploitation and hard labor. The brothers' paths diverge. Unable to endure the merchant's abuse, Pavel leaves for a factory, becomes a worker, and later a revolutionary. Semyon remains in service. In the post-revolutionary period, Semyon, having served at the front and returned to the village, joins the kulaks and brutally cracks down on representatives of the Soviet government, becoming the leader of a gang of "badgers" hiding in the forests. A Red Army detachment led by Pavel is sent to fight the bandits.