Bill Goodwin

Sex-hungry teens are kidnapped by auto mechanics, who take them to a rural hospital run by aliens who need their blood as the key to their own longevity.

When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.

After breaking up with her fiancé, a gym teacher returns to work at a women's college, but a legal loophole allows him to enroll as one of her students.

During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.

Former radio singer Kay learns from her gossipy friends that her husband, Steve, has had an affair with chorus girl Crystal. Devastated, Kay tries to ignore the information, but when Crystal performs one of her musical numbers at a charity benefit, she breaks down and goes to Reno to file for divorce. However, when she hears that gold-digging Crystal is making Steve unhappy, Kay resolves to get her husband back. The Opposite Sex is a remake of the 1939 comedy The Women.

Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.

Paramount's highly-fictionalized 1945 musical biography of Texas Guinan, the Roaring '20s New York nightclub owner and celebrity with alleged underworld connections who famously greeted her customers with the phrase, "Hello, suckers!"

A waitress at the Warner Brothers commissary is anxious to break into pictures. She thinks her big break may have arrived when actors Jack Carson and Dennis Morgan agree to help her.

In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash.

Kitschy musical remake of "Bachelor Mother". Debbie Reynolds plays an over-eager clerk in a large department store and Eddie Fisher plays the boss' son. After getting fired from her job, she finds an adorable baby on the steps of the foundling home and the folks inside mistake her for the mother. Fisher, well-meaning, but obtuse, tries to help her out with the baby, and the buds of romance begin to appear. Meanwhile old Merlin, the owner of the store, thinks he just might be a grandfather...

In late 1941, with no hope of relief or re-supply, a small band of United States Marines tries to keep the Japanese Navy from capturing their island base.

During World War I, small-town girl Josephine Norris has an illegitimate son by an itinerant pilot. After a scheme to adopt him ends up giving him to another family, she devotes her life to loving him from afar.

An upper-class female reporter is (despite herself) attracted to a hulking laborer digging a tunnel under the Hudson River.

Dagwood Bumstead must receive a college diploma or lose his job with the Dithers Construction Company. Not wishing to be separated from her husband, Blondie enrolls in college as well. But Leighton College rules stipulate "No Married Couples", forcing Blondie and Dagwood to pretend that they're not married. This causes quite a dilemma when coed Laura Wadsworth begins flirting with Dagwood and Rusty Bryant does the same with Blondie. And Blondie's discovery of a very pleasant secret threatens to expose her and Dagwood's marital status too.

Also released as Montana Mike, Heaven Only Knows is an offbeat western with fantasy overtones. Hard-bitten gambling boss Brian Donlevy rules his frontier community with brawn and bullets. To his dismay, Donlevy discovers that he has a guardian angel (Robert Cummings), who shows up in the guise of an Eastern tenderfoot. The angel has been sent from Above to save Donlevy's soul, and to that end encourages the one-time villain to squire a minister's daughter (Jorja Curtwright) rather than his usual dance-hall girls. Donlevy is also given tips on winning against his enemies without resorting to gunplay. The gambler finally redeems himself with Heaven by rescuing the angel from a lynch mob (how can you lynch an angel?) Heaven Only Knows deserves an "E" for Effort for bringing a fresh twist to the venerable western genre.

A small town man inherits a significant fortune and takes his family to New York City whereupon they are continually shocked at the alien culture of the Big Apple.

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.

After aspiring singer Judy Peabody rescues the elderly J.B. Bates from drowning, she assumes that the disheveled man is a vagrant and goes back to her job checking hats at New York City's famed Stork Club. But Bates is actually a grateful millionaire who becomes Judy's anonymous benefactor, and before long the working girl is swathed in minks and diamonds, much to the dismay of her suspicious beau.

A married couple welcomes their first child.

At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.

In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".

An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics.

A uranium prospector is eating a peanut butter sandwich in the desert where atom bomb tests are being done. He becomes radioactive, and helps the FBI break up an enemy spy ring.

Inspired by the popular '40s radio show of the same title, director Irving Brecher's 1949 comedy stars William Bendix as a hard-working husband-and-father with no shortage of family problems.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Your Show of Shows was a live 90-minute variety show that was broadcast weekly in the United States on NBC, from February 25, 1950, until June 5, 1954, featuring Sid Caesar and Imogene Coca. Other featured performers were Carl Reiner, Howard Morris, Bill Hayes, Judy Johnson, The Hamilton Trio and the soprano Marguerite Piazza. José Ferrer made several guest appearances on the series. The series was telecast from the now-demolished International Theatre at 5 Columbus Circle and the Century Theater, now demolished, in New York. During 2002, Your Show of Shows was ranked #30 on TV Guide's 50 Greatest TV Shows of All Time.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

A 1958 American anthology television series broadcast on NBC, composed entirely of unsold television pilots. Created as a summer replacement program, the series repackaged unaired pilots originally produced for proposed television shows, presenting them as standalone dramatic episodes. Hosted by Bill Goodwin, the series served as filler programming following the cancellation of the quiz show Dotto and ran for eight consecutive weeks. Notable episodes included Orson Welles’s The Fountain of Youth, which won a Peabody Award and became one of the most celebrated television productions of the era.