Paulo Philippe

A documentary filmmaker sleeps with his camera to film the dreams he has at night.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

A short film tells that the story of a group of actors, living together in a house and sharing their dilemmas with each other.

Elisabete was born in Mexico, but spent her childhood with her parents on the idyllic beach of Tabatinga, in northeastern Brazil. Far from contact with other children, Daniela was her only friend. Due to a mysterious trauma, Elisabete abandons her home and never stays in one place again. A choice with obvious consequences, and at thirty, Elisabete longs for an identity. She does not feel comfortable in her own skin, a stranger in her own world. In search of an answer, Elisabete revisits her memories of that place, but times have changed and the expectation of a reunion with her old confidante may bring with it some disappointments.

In Campina Grande, in Paraíba, a hamster named Borges lives with his owner, Napoleão (Everaldo Pontes). Blind, he is a fan of the Argentine writer Jorge Luis Borges – origin of the name of the pet – and depends on acquaintances to survive. Yara (Verônica Cavalcanti), a girl who cleans the house, Romão (Fabiano Raposo), a boy who does little service, and Vladimir (Paulo Philippe) are his helpers and plan the robbery of a rare and unpublished work by Borges, which Napoleon says save.

While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.