Darja Miková

Mira and her dog Baxus live a peaceful and isolated life in the countryside, until one day they witness a shocking event. After intervening in a sexual assault in the woods near their house, they are forced to face the aftermath. Mira embarks on a transformative journey through the complexities of the justice system until the lines between humanity and nature blur irrevocably.

In his film at the intersection of an experiment and a poetic documentary, Milan Klepikov looks at the end of the world as defined by the poet Petr Král, who is convinced that children are born into a world which has in fact already ended. Trying to understand the young generation’s viewpoint and to capture the end of cinema as we know if, Klepikov wildly chases and captures visual and auditive input, which he combines into a film sketchbook consisting of fragments of the lives of young people who apparently have been through the end of the world, but who still have many years ahead of them.

Zofie and Andrea offer paid content on adult platforms. While Zofie tries to rebuild her damaged self-esteem after breaking up with Roman and experiment with these platforms, Andrea longs for financial freedom which moves her from her original goal of making a living by serious modeling. Zofie sees adult platforms as a kind of emancipation tool, while financial situation and demands of fans drive once famous Andrea deeper into darker waters of sex influencership.