Jonás N. Díaz

In Greek mythology, there were colossal creatures with fifty heads and a hundred arms. In the manner of an illustration in a bestiary, this short film describes the titan in a contemporary city. The concrete masses on the outskirts of Mexico City are the current version of the giant, recorded through 16mm film.

Guided by their animal instinct, a clan of strange laborers seeks to take over the identity and position of privilege of their foreman without considering how the fiction is surpassed by reality.

This short film is a captivating mix of emotions, genres, and tones, deliberating on love in the age of social media. Within the chaos that daily life supposes, the paths of two couples merge during an afternoon, embarking on a narrative and style hybrid that puts the need to love and the fear of commitment on the table. Memories, friendship, and disappointment converge in the drama of four millennials, forming a labyrinthine exploration of love.

Tuza, a harsh and authoritarian fisherwoman, causes Justino's death, forcing her to embark on a journey of redemption with his widow, Luvina. Through Juan Rulfo's narrative environment, both women embark on a mysterious journey where their desires face loneliness.

An anthology of 7 Mexican short films, all created by 5 up-and-coming independent filmmakers, with a common thread: to explore themes of human relationships. In order, A Hand Beneath the Snow (Una mano bajo la nieve), Friendship (Amistad), The View from Up Above (La vista desde arriba), The Short Film (El cortometraje), Silvestre (Silvestre), Cocktails For Two (Cóctel para dos) and When I Hear You Sing, I Forget (Cuando te escucho cantar, olvido).