Isabele Riccart

Overman, a fading superhero, takes a job with the government's Department of Public Security in an attempt to get back on his feet. While working alongside Pâmela, his loyal partner who is beginning to gain as much recognition as he has, Overman confronts his toxic masculinity and uncovers dark secrets involving the governor. Now, he must face his inner demons and an old enemy to prevent the city from plunging into irreversible chaos.

Going through a grieving process, Bia comes into contact with death for the first time in such a personal and harrowing way. The drama follows the day of the burial in which death, assumed to be a consequence of the city's violence, attracts uncomfortable comments. Bia faces the feelings of others while repressing her own suffering for losing Iris, who returns in insistent memories, alternating between warmth and melancholy. The memories reveal the intimate relationship between the two as they fall in love, and reveal an abusive relationship in Iris' past. Bia's anger contrasts with the affection between the two, in a truce amid pain, the memory of love makes life worth living.

After a flying saucer containing all the stories of humanity crashes in his backyard, a young artist seeks help to interpret its messages.