Giovanni C. Lorusso

An immigrant rubbish collector awaits news of his wife lost at sea while looking after his 1 yo daughter

Anna runs a farm in Sardinia. At night she lets go in sensual dances in the village bar and indulges in short-lived adventures. Until one day, the construction of a mega-resort on her land forces her to engage in the biggest battle of her life.

In the old city of Taranto, an industrial center of the Apulia region, Maria tries to help her junkie brother Donato, who is threatened with death for an unpaid debt. She only has one option: to steal. As much as possible, as soon as possible.

Cherie, a Filipino maid, goes to a wealthy family's reception to do some extra work. But when she arrives, she discovers that her job is to look after the dogs. She then meets Milo, the family's young son.

Odile, a textile worker, and her colleagues are told to evaluate newly-arrived young Tunisian women over a span of four days. Although there is no good solution, Odile will try to make the right choice.

Pierre does his best to successfully complete the chaotic construction site for which he is responsible. Bodies are exhausted by untenable deadlines. However, the work must continue, unabated. And without accidents.

The plot centers on a businessman who travels to the remote forests of eastern Cambodia disguised as a tourist to gather information about the lands of a local indigenous community with the aim of expropriating them.

Song of All Ends gently leads us into the daily life of a family living in the Shatila Palestinian refugee camp in Beirut, sixteen months after the dreadful port explosion. With slow determination the atmosphere builds through intriguing, as-yet unconnected, images in stark black-and-white – the face of a young girl, a teddy bear, rags flapping in the breeze, roofs strewn with rubble and tarpaulins. Water streams everywhere and skeletal buildings are set against a grey sky littered with clouds.