Acting

Marcin Kobierski

No biography available.

Known For

How to Live?How to Live? · 2008
How to Live?
7.02008
MovieDramaComedy
When Kuba finds out his girlfriend Ewa is pregnant, he reflects on life and wants to prepare to do everything he can to be a great father and provider. Kuba wants to be a responsible man but he isn't sure what is the ideal way to live. He visits his three uncles seeking their advice on what he should do. As they all have their own perspectives, each of his uncles guides him in new directions.
Polski filmPolski film · 2012
Polski film
4.82012
MovieDramaComedy
“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.
Graczykowie, czyli Buła i spółaGraczykowie, czyli Buła i spóła · 2001
Graczykowie, czyli Buła i spóła
6.52001
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Polski filmPolski film · 2012
Polski film
4.82012
MovieDramaComedy
“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

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