Valérie Lesort

Micaela Villegas was Lima's leading theatrical lady in the 1770's when Peru was a Spanish colony. Her life was fictionalized in a one-act play by Prosper Merimee and a libretto was fashioned on which Offenbach created his opera bouffe La Perichole, reflecting the creative mania in Paris at the time for Spanish life and art. La Perichole and Piquillo, her lover and companion in misfortune, are impoverished street singers. Meanwhile the Viceroy Don Andres de Ribeira wishes to make her his lover. In music of vivacious rhythms including boleros, seguidillas and rich arias, Offenbach plays out their love against a broader social canvas.

In the 60s, in the heart of a village, Robert lives with his mother Odette. About fifty, balding, paunchy, Robert spends most of his time locked in the garage where he tries to develop a teleport machine. Robert will try to teleport himself, but a fly is stuck in the machine, and the scientific apprentice will gradually turn into a giant insect. Robert will little by little dehumanize to become a beast able to climb the wall, pushed by an insatiable search for food.