Toby Thomas

In Thomas Moore's 'Utopia', people do not have a permanent place of residence. Every 12 years, everyone exchanges their home with each other. Homes do not even have doors or windows at all. This short cinema is inspired from this concept.

Misha, a lonely bear waking from hibernation, finds the world completely changed and abandoned. In his search for food, he meets someone unexpected and they form a bond.

Kalavu, follows Siby Sebastin, a retired police constable with a shady service record. Once in a position of power, he now feels unimportant and ignored at home after retirement. His presence no longer carries the authority it once did, leaving him frustrated and struggling to find his place in the household.

Convinced he’s dying, a hypochondriac is pulled into life by a free-spirited woman who shows him that the true danger is learning how to live.

First chapter in the chronicles of a 231-year-old vampire in his journey with his fellow vampires.

HOME IS WHERE I DIE is an experimental documentary told through two perspectives. The first follows a child directly affected by war, living among fear, loss, and the remains of a shattered home. The second follows a person physically distant from the conflict, yet psychologically overwhelmed by the suffering of children seen through images, stories, and memory. As empathy turns into empathetical distress, the emotional weight of distant violence begins to consume the mind, blurring the boundary between witness and victim. Through monochrome imagery, abstract visuals, and immersive soundscapes, the film explores how war continues to exist long after destruction within memory, imagination, and human consciousness.

The subjective phases humans encounter during the consumption of standard amount of Lysergic acid Diethylamide or LSD.