José Luis Valenzuela

This documentary by José Luis Valenzuela meticulously follows each step in the evolution of the creative process of this fundamental work in the history of Los Jaivas, Mamalluca.

Los Jaivas played for the first time on Rapa Nui on May 5, 2006, fulfilling a long-held dream. José Luis Valenzuela, using this concert as the central focus of his narrative, juxtaposes it with domestic scenes, work scenes, timeless images, and breathtaking landscapes that evoke the first morning of the world, allowing us to share the band's experience of trying to understand this ancient culture.

Documentary filmed in Neruda's homes with interviews with Los Jaivas, in which they recount how their work "Las Alturas de Macchu Picchu" was conceived and created and how they came to perform it in Macchu Picchu.

Nineteen years after recording "Las Alturas de Macchu Picchu", Los Jaivas returned to Cusco in March 2000 for an exclusive concert at the imposing ruins of Sacsayhuamán. Thirty thousand people gathered (braving the rain at times) to witness this magnificent spectacle, which also featured a thrilling and massive choreography. The reunion with their friends from the band "El Polen" fostered a sense of camaraderie that Los Jaivas have always cultivated in their songs. The work of filmmaker José Luis Valenzuela is particularly interesting, blending footage of the concert with images of the set, rehearsals, travel and stay in Cusco.

Welcome to Luminarias-where hot spicy dish gets served up with a Latin twist by four successful friends from East LA...with very discriminating taste in men! When separated divorce attorney Andrea finds herself guilty of falling for her white and Jewish opposing council, her three single friends choose sides in the ongoing and often hilarious debate over race and sex. As they discover just how much negative stereotypes color their relationships with men-and even with each other-it becomes clear that the search for Mr. Right is not exactly black and white! Written by Echo Bridge Home Entertainment

Moe, a fun-loving theater artist working on a one woman show, finds out that he is dying from an AIDS related illness. Naturally, his response is to invite his closest friends over for a “going away for good” party as one last big celebration of his life. His plans go awry when his best friend, and his ex, decide to crash the party, despite 15 years without communication between them. Alternating between the painful reality of his current situation and scenes featuring his alter ego, a torch-singing drag queen who wants to take him for “the ride of his life,” MOE is an often light-hearted film that also packs a serious emotional punch.