Ashna Habib Bhabna

A King, a princess. Their encounter in a makeshift Opera tent in a village. Here in today's rural Bangladesh, the film brings up a colourful but understated drama of human and artistic dilemmas. While the princess is sought after on stage, on TikTok and in flesh by all the men – audiences watching the stage, the businessmen, the local politicians; behind the stage, the king waits and waits for his turn. He has to complete a story he began, long back.

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Incidentally, an innocent couple Muku and Nayontara, lives in an area of Dhaka city where supply of drinking water is limited. In summer, water supply is ceased for a few days. Local dwellers stored some water for emergency but Muku and Nayontara have no water at all. So they beg water to every door. Nobody give them water but beat Nayontara mercilessly. Nayontara becomes revengeful and takes her revenge in different way.

The story of freedom-loving people dreaming of an independent Bangladesh.

Fatka Salim has fallen into dire straits by kidnapping a common businessman Miraj. Everything gets messier gradually. It's a game of bluffing, not believing, so it's hard to tell who will win and who will lose.