Rubén Plataneo

This film unfolds several stories from the lives and perceptions of three families of those who disappeared during the last military dictatorship, reflecting the unique interweaving of these relatives' personal relationships, as a reflection of the social complexities established by the process of state terrorism that occurred from 1976 to the present.

Once upon a time, there was a film that played inside a museum. The museum had many paintings with people looking at them, beautiful and mysterious. There's a ghost and several suspects. This is a documentary experience about painting and human movements. A "Digital Tableau Vivant" that dismantles the solemnity of the museum and opens its interior to moving works that traverse time.

David, a young rapper from Guinea known as Black Doh, stows away on overseas ships to the “land of Maradona”. His friends, his family and his mother remained in Africa, whom he never saw again. He records his first album with songs in soussou, French and Spanish. Years later, his first album arrives in Africa. This is a film that travels between Argentina and Africa, reflecting filial routes and roots, clashes and meeting of cultures.

Forensic anthropologists use laser technology to search for clandestine graves of the dictatorship in the scrubland. Valeria, the daughter of disappeared people, coordinates the search. Otilia, Mother of Plaza de Mayo, awaits news of the past.

The Island is a real territory, as well as a metaphorical one, a synthesis of the country and of civilization, of progress and injustice. An intensive expression of the human effort to overcome adversity.

On january 1st at dawn, "The Burned" goes with his narco band to avenge the attack against his son. In a dark little field they shoot Jere, Mono and Moki by mistake. There was a survivor... Diverse stories and visions about the "Triple Crime of Villa Moreno", the trial and the loss of social reason.