Li Weilong

A bullied teenage girl forms an unlikely friendship with a mysterious young man who protects her from her assailants, while she copes with the pressures of her final examinations.

It’s 1941, and China has become a wartime intelligence battlefield. Actor Jean Yu returns to Shanghai, ostensibly to appear in the play “Saturday Fiction,” directed by her former lover. But what is her true aim? To free her ex-husband? To gather intelligence for the Allied forces? To work for her adoptive father? Or to escape from war with her lover? As she embarks on her mission, with friends ever more difficult to distinguish from undercover agents, Jean Yu starts to question whether to reveal what she has learned about the imminent Pearl Harbor attack.

On a deserted island the crew, led by ex-soldier Cao Yue, filming TV reality show about survival. They meet tidal waves of insects on their way, battling hermit crabs and fights to the death against the ancient giant lizard, the real dragon.

Years after a painful breakup caused by illness and misunderstanding, former lovers Min Hui and Xin Qi reunite in the business world, only for a paternity test to reveal that Min Hui’s son may be Xin Qi’s — forcing them to navigate past wounds, parenthood, and the possibility of rekindled love.

Set in 1928, it tells the story of Wei Ruolai and his determination to courageously pursue his strong aspirations in serving his country. He regarded Shen Tunan, a senior adviser, as his mentor when he was a low-level employee at a financial institution. Through the excellence of his memory and data analysis ability, Wei Ruolai has been favored by Shen Tunan. However, his line of work made him witness the blatant corruption and darkness in the financial field unleashed by the Kuomintang with his own eyes.