Alberto Amarilla

Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.

Ivan is heading his girlfriend's place decided to propose to her. But in his way, a series of unfortunate coincidences push him into a loop of catastrophic events that never seems to end.

Emilio, a shy, not too brilliant pupil at a humble local secondary school, has always harboured a secret love for Natalia, the cutest, brightest girl in the class. On the last day of the school year, when he finally decides to declare his love, Natalia is awarded a scholarship to study Medicine at Oxford. It would seem that all is lost for Emilio, but his drop-out school-pals are not ready to throw in the towel. After faking qualifications and scholarships, this band of brainless nuts land in Oxford, causing havoc in the normally peaceful campus existence.

After being rejected from the job interview at the town's tour agency, Tomás, supported by his sister, embarks on a new path by creating his own agency. After a few discouraging weeks, he receives a call from a young couple who want to see the town.

Alfonso, pursues the girl of his life to Harvard, determined to conquer her under the same friends and outlandish plans that his brother used in Oxford. But when you least expect it appears Martha, the girl he fell in love while at school.

Mario is not able to overcome the death of his wife; by chance he meets a woman almost identical to her. Marta is not able to overcome the crush she has for him; by chance she meets the opportunity to take the woman's identity.

A coming-of-age tale charting the first loves, lusts and obsessions of friends on vacation at the end of the 1970s.

They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing his eyeballs it was possible to reproduce on paper the last image imprinted on the person's retina. He named such tecnique "Thanatography". Today, the same kind of gruesome ritual and abominable crimes r