Marie Windsor

Acting

Marie Windsor

Born December 11, 1919 · Marysvale, Utah, USA

Died December 10, 2000 · aged 80

From Wikipedia, the free encyclopedia Marie Windsor (born Emily Marie Bertelsen; December 11, 1919 – December 10, 2000) was an actress known as "The Queen of the Bs" because she appeared in so many B-movies and film noirs. After working for several years as a telephone operator, a stage and radio actress, and a bit and extra player in films, Windsor began playing feature parts on the big screen …

Known For

The KillingThe Killing · 1956
The Killing
7.61956
MovieCrimeThriller
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
The Three MusketeersThe Three Musketeers · 1948
The Three Musketeers
6.81948
MovieAdventureRomance
In 17th century France, young D'Artagnan wants to join the King's Musketeers, but instead befriends three legendary musketeers—Athos, Porthos, and Aramis—and together, they become embroiled in the political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.
Mail Order BrideMail Order Bride · 1964
Mail Order Bride
7.01964
MovieWesternComedy
Elderly cowboy Will Lane arranges marriage of wild son of dead friend to tame him.
Freaky FridayFreaky Friday · 1976
Freaky Friday
6.11976
MovieFantasyComedy
School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews' body and vice versa. They both have a Freaky Friday.
The PirateThe Pirate · 1948
The Pirate
6.51948
MovieMusicRomance
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.
The Narrow MarginThe Narrow Margin · 1952
The Narrow Margin
7.31952
MovieThrillerCrime
A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles.
The Bounty HunterThe Bounty Hunter · 1954
The Bounty Hunter
6.81954
MovieWesternAction
A year after a violent train robbery the Pinkerton detective agency hires a bounty hunter to find the three remaining killers. He tracks them to Twin Forks but has no clue to their identity. Tensions surface as just his presence in town acts as a catalyst.
The OutfitThe Outfit · 1973
The Outfit
6.81973
MovieCrimeDrama
A two-bit criminal takes on the Mafia to avenge his brother's death. Earl Macklin is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.