Kārlis Bergs

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails counting butterflies. His eccentric practice has uncovered patterns of environmental decline that went unnoticed for years. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

While images produced for Hollywood appear slick and controlled, a stunt performer's testimony in Crashing Waves reveals otherwise, as they parse out all of the elements that go into a car crashing off a cliff and diving into the water for a TV show. Though the image produced and edited creates a split-second moment of violence for the viewer's pleasure, Crashing Waves uncovers the months of labor, training, and danger that the stunt involved, contingent on capitalist, patriarchal hierarchies in the film industry. The film meditates on the stakes of the real in the dominant culture's production of images and emphasizes the importance of the ethics of care.

The Threshold is a short film about the largest managed pollination event in the world. About two thirds of the United State's bees are imported to California's Central Valley every year to pollinate the endless fields of almond orchards. At the heart of the film is a 74 year old bee broker, Joe Traynor, who has worked all his life cultivating bees and managing beekeepers. The film portrays the current catastrophic state of bees and Joe's last pollination season as the Central Valley's most prolific bee broker.

A sprawling family's futile attempts at capturing a family photo take a dreamlike turn when the matriarch vanishes and one daughter becomes desperate to find her.

Two voices, one written, the other synthesised, engage in a philosophical dialogue about the amorous abyss separating them: a nineteen-year-old girl has decided to marry the Devil.