Marina Kleshcheva

Leningrad, one summer in the early eighties. Smuggling LPs by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoi. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.

A movie about a married couple of elderly intellectuals from St. Petersburg. About their wisdom, calmness, optimism, patience and forgiveness. That is, about everything that contemporary people lack. That is why they themselves, their warmth and their house attract those in need of warmth, help and support like fire.

On the eve of Women's Day, wives receive an SMS with a ransom amount for their husbands, who have gone away to vigorously celebrate their friendship. Having gone through all the events of last night in the lives of their faithful, the wives learn that the guys are in the hands of a crime boss and they are in mortal danger.

Ilya Goryunov has spent seven years in prison on false charges of drug trafficking. When Ilya is free he realizes that the old life that he yearned for is no more. Although he did not intend to take revenge on the man who sent him to prison, now there is no other way out.

Eight-year-old Nikolai suffers from a congenital illness that leaves him unable to walk or speak. His doctors and even his own mother, Tatyana, have given up hope of treating his ailment. When Tatyana’s new friend Yuri tries using his own physiotherapy techniques to treat Nikolai, he discovers that Nikolai has a gift for music and teaches him to play the piano. With every note he learns and every melody he masters, Nikolai’s condition improves. He not only gains mobility, he also becomes an outstanding musician. Nikolai and Yuri travel to China together to take part in a piano competition, with a view to taking the grand prize. This is a humor-packed story about the healing power of music and fatherly love.

Moscow, 1952, mid-October, the XIX Congress of the CPSU had just ended. A communal apartment on Bolshaya Pirogovka. In one of the rooms lives the Petkevich family: Ariadna with her husband Boris and her parents, professor of philosophy Peter Kazimirovich and his wife Angelina Fyodorovna. For those few months that remained until Stalin's death, the family experiences a series of dramatic events. But on a background of terrible time, antisemitism, fabricated "case of doctors", denunciations and snitches, there are people who live their lives without losing dignity.

The creator of the best virtual reality games is convinced that in reality everyone and everything is controlled, but a chance meeting with a young activist opens his eyes to the fact that the world is much wider and more complicated than anything that he knows and understands about it.

Colleagues at work - Anna Sergeevna and young Lena - come to rest in a country sanatorium and become unwitting witnesses to the crime. They begin their dangerous investigation and feel that they, too, are in trouble. Trouble is everywhere here, everything around is saturated with it. Danger weakens and excites. Everyone is infected with danger, including the main suspect - Georgiy.

During the swimming training camp, coach Sofia and her husband, coach Trofim, take their niece, an orphan, to raise. Anya shows hope, but does not talk after the death of her parents, which becomes the subject of harassment among other athletes. By standing up for Dima, one of the guys on the team, she gets her first real friend. In parallel, a chain of irreversible consequences begins, which can destroy the relationship of Trofim and Sophia.

Dasha, at first glance, does not have a life, but a fairy tale. She holds a high position in the Ministry of Culture, and the young man who bought an apartment for their future family is in love with her. But in reality, not everything is going smoothly at work, the new apartment overlooks a vacant lot, and the lover is more interested in his mother's opinion. Dasha decides to escape - on a business trip around the Perm region. The young bar owner Sergey becomes her unexpected companion. Now people who are strangers to each other will have to travel through Perm cities and villages, meeting people who are alien to the ambitions and bustle of the metropolis.

The director of the orphanage, Andrey Mast, is fighting the lawlessness reigning there and introducing strict rules. The new pupil Inna opposes these rules and will seek justice in her own way.

Eighteen-year-old Vika, in order to recover from a disease that is considered demonic possession in her village, plans to escape and stay in the neighboring Norway. Her way is much more scary than finding a local groom or finding a job.

Four bandits in the late nineties come to knock money out of the debtor, but accidentally fall into the cryocamera and end up in 2022. Phil, Chuck, Whizz and Massa do not immediately realize that during this time Moscow has radically changed, their lifestyle has become very outdated, and people around have a lot of unfamiliar devices and strange habits. The worst thing is that their loved ones have grown older, and now someone will have to rebuild their relationship with their son, who has become his age, and someone will have to win the heart of an already much older girlfriend. Now the four friends must find themselves in a new incomprehensible world and take revenge on their former boss, who sent them to the cryocamera.

The fishing village is a small image of a big country. It has its own rich and poor, hard workers and drunkards, liberals and statesmen. Here, the ridiculous is juxtaposed with the tragic, and the lofty is juxtaposed with the insignificant. This world protects itself. Every house, every family keeps its secrets. Egor will be able to reveal the terrible truth, but what price will he pay for it? What price will his countrymen pay for it?

A sensational theatrical event has been taking place in Moscow and St. Petersburg for the past year. Despite the multimillion-dollar ticket price and only one seat in the hall, there is no shortage of people who want to. Of course, because the unique format blurs the boundary between fiction and reality. You can be here, not appear. Here you can safely expose the problems of society and be inside society. Each performance is a piece―by-piece work created for a specific audience and thought out to the smallest detail by a whole team of screenwriters, psychologists and actors under the guidance of a talented director who has already staged 11 successful performances in a row.