El Hadj M'hamed El Anka

Delve into the story of the Algerian footballers who traded European pitches to join the fight for independence. In 1958, in the midst of the War of Independence, talented players secretly left their clubs to form the FLN team – a living symbol of the Algerian people's struggle. This clandestine team, banned by FIFA, served as a mouthpiece for the Algerian provisional government until 1962. Footballer Rachid Mekhloufi explained: “This departure of the best Algerian players playing in France was no accident. With the control of the media, few French people knew what was happening in Algeria. The FLN representatives in France were ahead of the curve in terms of publicity. Truly ahead of the curve, because a move like this allowed the French people and the rest of the world to open their eyes.”

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.

Adam Bensoltane takes us through the birth of Algerian cinema, in his native country, across the ages, exploring its evolution and its impact on the nation, politics, and the world.

1/4 - In 1925, the young M’hamed El Anka replaced his master Nador at short notice. He realizes that he is far from mastering all the instruments of his art and begins a self-taught training program in Oud, the Arabic language, and religious singing in the hadra of Sidi Abderrahmane. 2/4 - In 1932, the young El Anka released 10 45 rpm records in Paris, including the first song from his composition "L'Exil". He is gradually “lightening” the Andalusian heritage. He made the pilgrimage to Mecca and wrote the famous song "El Mendouza". 3/4 - The 40s and 50s will confirm the maturity of the master, who consolidates the constituent elements of what is today called Chaâbi music. In the midst of the national liberation struggle, El Hadj M'hamed El Anka triumphs with the song "Youm El Djemâa". 4/4 - In 1962, El Anka sang of independence: "El hamdou lilah, mabqach listaâmar fi bledna". Activist, poet and musicologist Bachir Hadj Ali explains the artist’s exceptional style.

Four guys from a Paris housing project fabricate a documentary about drug dealers working in the City of Lights. When a television network falls hook, line, and sinker for the prank video, the foursome are given a free three-week vacation in the upscale resort community of Biarritz. As they interact with both locals and fellow tourists, they learn about love, friendship, racism, and the differences between the rich and the poor.

The first fictional feature film produced in Algeria after independence, this film addresses one of the most worrying problems: that of childhood. Children, freedom regained, do not yet know how to play “at peace”, they naturally play “at war”.

This musical comedy produced in 1953 for the General Government of Algeria, features the comic trio composed of Rouiched, Mohamed Touri and Sid Ali Fernandel, accompanied by the orchestra of the master of the Algiers Chaâbi El Hadj M'hamed El Anka, the singer Fadhéla Dziria, Mustapha Skandrani on the piano. Some scenes were filmed at the Summer Palace (the current Palace of the Algerian Presidency, called the People's Palace). André Zwobada, the director, will play an important role after the independence of Algeria in 1962, in the production and preservation of the first Algerian newsreels.