Hugh Armstrong

Dar, the son of a king, is hunted by a priest after his birth and grows up in another family. When he becomes a grown man, his new father is murdered by savages and he discovers that he has the ability to communicate with animals, which leads him on a quest for revenge against his father's killers.

Story about the remarkable friendship between a reclusive writer and illustrator and a chaotic homeless man, whom he gets to know during a campaign to release two charity workers from prison.

When a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a couple who stumble into a victim by accident.

Antonia Bird's first feature length film; "Safe" from 1993, focused on the plight of the homeless in London.

Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

Prudence Hardcastle is on the pill. So is her sister-in-law, but someone has been swapping aspirin for their pills. Is it the teenage niece, the maid, the chauffeur, a lover, Prudence's husband Gerald, or all of the above?

A wealthy, fatherless British clan kidnap bums and hippies, forcing them to participate in an elaborate role-playing game in which they are the perfect family; those who refuse or attempt escape endure ritualistic murder.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.