Álvaro Feldman

Famed architect Jeremy Angust is approached on his trip to the Paris Airport by a chatty girl named Texel Textor who needs a ride. He obliges and after they part ways at the airport entrance, he misses his flight. As he settles in the lounge, he encounters the mysterious young Texel again, who insists on telling her strange story — and the conversation grows stranger and more twisted until it turns sinister and deadly.

A trumpet player who, during the San Fermín festival, feels alone despite being surrounded by thousands of people. No one seems to pay attention to him, except another boy who gets lost in the labyrinth of the city, the night and his fantasies.

A short film by Álvaro Feldman

Self-portrait film shot on a single Super 8 reel. A camera films itself through the shadow cast by its projection on a screen; the gesture of pressing the shutter activates all the mechanisms.

A short film by Álvaro Feldman

In the neighborhood of "Las 3000 viviendas" of Seville, two young lovers, Sindi and Manuel are separated abruptly after a misunderstanding. Each on their own way they will become victims of destiny and of an environment where fantasy and reality coexist. Si Amanece; Nos Vamos is a fable about the dangers of unbridled and unconditional love, sprinkled with rage and jealousy. A first work that, from the documentary verismo transfers the codes of the cinema quinqui to approach the committed day to day of its characters.

One, two, three greyhounds chase each other. Their graceful silhouettes romp in the waves, chasing each other; a sprinting, playful dynamic that only the fence-like framing of the image can stop.

A concentric collage. This piece belongs to a series of reels and sketches mounted on a camera that go through other films' processes.