Celeste Cid

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

Mariana is a woman who has dedicated her entire life to equine therapy that goes over the history of how she came to that. In her youth she lived a happy and prosperous life until a particular episode leads her to have to face millionaires debts. This situation can lead to being left homeless and especially without their horses, among which stands out Artax, the only being with which his son Bruno with Asperger's syndrome manages to have a special bond that helps him to cope with his life with harmony. Mariana must fight against wind and tide in this story of struggle and resilience sustained by the love of a mother and her son.

Santiago decides to start a family with his girlfriend Ana, even though she is pregnant with her ex, Pancho's. However, the real challenge will come when Pancho unexpectedly returns from Miami to get involved in the pregnancy, unleashing a series of comical and chaotic situations in his home.

Traída pelo namorado e pela amiga com quem morava, Clara se vê obrigada a procurar outro lugar para viver. Acaba dividindo um apartamento com um homem misterioso, a quem apelidou de Teo, e juntos eles combinam um ‘código de convivência’, com uma regra fundamental: nada de amantes.