Yeung Leung Chuen

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

Fei roams the city at night, attempting to capture it with her camera. One night she meets a mysterious cow in the busy city and photographs it. Soon she meets Ming, who is trying to record the cow's noise. Together they attempt to find the elusive cow.

Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.

Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……

Revolt is youth. The story centres around a teacher’s pet who strives his best only to become the eternal runner-up, and a pair of intelligent but diametrically different step-siblings. Set in 2012 during the transition to the new academic structure for senior secondary education and higher education, the young students reconsider and challenge the limits of sense and sensibility through seven exam questions. In their wet dreams, all rules go loose.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Relationships with strangers can exist in all forms, including the most intimate ones. The two of them spy on each other in an open manner, slowly, their relationship deepens, while remaining strangers.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

During Lunar New Year, a family gathers to eat; but nobody is eating. Grandma looks towards the empty chair, nobody dares to start the meal. The room stays silent as the hot pot bubbles. Everyone gets hungrier and hungrier. The Son has had enough, and breaks the silence. He tells the story of the Argali Goat.

Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.

Liu Yang He, a landmark in Hunan province, is not only the film’s original title but also a well-known Communist folk song in China. It was written during the Agrarian Reform that precedes the Cultural Revolution. Youngsters were sent to farmlands and factories to experience intense labour. They sang to praise Chairman Mao. Kah-kah (Rain Lau) was permanently injured in an industrial accident during that time. When Kah-kah meets this amputated client (Ko Hon-man), they feel sympathy with each other and turn this sympathy into a possibility of love as if they were flowing into a river of no return. Here, Rain Lau’s sophisticated performance resembles her award-winning role in Queen of Temple Street (1990).

Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.