Maeko Oyama

At a movie studio in 1988, rookie director Hanako Hayashi is making her directorial debut, the erotic As Far as Love Will Take Us. She's under pressure from her producer and crew. When she is about to shoot the climax of the film, numerous problems arise. To make matters worse, the set is visited by a censor from the Film Certification Committee, and the key scenes end up being cut out to avoid an R rating. Can Hanako realise her dream?

Miyu loses her boyfriend, Mitsuki, in a truck accident. While grieving, strange phenomena begin to occur around her, and soon a colleague is murdered. Concerned about the series of deaths, she confides in her senior colleague, Konishi, and gradually finds herself drawn to him. But one day, Mitsuki suddenly reappears…

A new type of horror film starring Mayurika's Sakamoto. In 2002, Emi and Sae visit an old, rundown guesthouse during their trip. While exploring the interior with a video camera, they notice that a room at the far end of the second floor is marked as off-limits...

An assistant director investigates the authenticity of a popular autobiographical novel being adapted into a movie.

The title of Tanaka Toshihiko’s ambitious exploration of human relationships is polysemous. A genderless given name, the kanji character can similarly represent a variety of meanings. As such, it’s the perfect symbol for this portrait of early thirtysomething company employee Matsushita Hikari. Her life is stable and seemingly without worry, unlike many of those around her. But it’s through their struggles that they find their counterparts in life – the balance in relationships that steadies them. Hikari lacks this ballast and this begins to worry her. However, on a trip into the mountains of Hokkaido she encounters a Deaf landscape photographer, Masato. Through him Hikari embarks on a journey that will transform her sense of being and connectedness with the world.

Uta's life takes a sudden turn when her father reveals that her mother is alive. Determined to find her, she heads to Shinjuku only to be rejected. At a loss, Uta wanders the streets, meets a girl, and learns about her mother's secret through this encounter.

This is a story of when I liked to draw manga alone. I would always draw manga by myself at school, but then someone started to follow me. “Am I being stalked?!” To run away from them, I hid in a random car trunk. “Okay, they can’t find me here.” But as soon as I thought of that, the trunk closed, and I got locked in. My phone was dead too. What do I do?!