Mario Lanfranchi

A secret agent works with a scientist to recover documents outlining a new formula to make fuel.

An aspiring young artist breaks from his wealthy, possessive mother to live a bohemian existence in the artist's section of Rome and falls in love with a beautiful model who wants an uncommitted relationship.

Armed with gadgets and an atomic sub, a crook (Philippe Leroy) and his gang target a Latin dictator and Soviet gold.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

A group of retired crime leaders is meeting to discuss the death threats they are all getting.

The secretary of a professor in charge of a super-secret nuclear project, Susy Martin, mysteriously disappears. Her fiancée, Rick Dorsey, turns to a childhood friend, Frank Potter, who is now a private detective, to help him find her. The detective and his assistant / journalist / girlfriend/(cook) Margaret (the real ace up his sleeve!), while the police are misled by mysterious intrigues and the counterespionage itself are barking up to the wrong tree, manage to solve the case... but not without the support of the repentant Dr. Kerriman. Furthermore, an unexpected ending, just not to make it too trivial!