Norman Pitt

Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.

Norman is quite happy selling newspapers outside Westminster station but his Grandfather (the Prime Minister) wants to get him "a more responsible job". A few favours are called in and Norman becomes the newest reporter at the seaside town of Tinmouth. After causing chaos at a local council meeting and causing the demolition of a new house he tries to organise a beauty pageant. A slapstick tale of corruption in high and low places

A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.

Britain's biggest pop singer, Steven Shorter, receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie, is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.

Three children try to fight against the destruction of a local historic landmark. They are helped by a group of friendly ghosts.

Two con-men just released from prison get straight back to their old tricks.

An Earl returns from a tropical island and discovers the daughter of the tribal King has stowed away in his luggage.

Bisthorpe moves into a flat where a host of bizarre events occur: hands come through walls, light bulbs explode, furniture talks, he turns into a table-top model in an advertising agency, etc. Finally, it's revealed that the new flat is, in fact, a room in a psychiatric asylum.

A fading seaside resort attempt to revive its fortunes with a summer show.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.