Uri Zohar

Aliza mizrahi, the building cleaner, solves a murder where the police fails

Renan Schorr documented the wedding of Uri Zohar's son to Arik Einstein's daughter.

Bumbling private detective Schwartz and his equally inept part Simcha are hired by a man to find out if the man's wife is cheating on him with the family doctor. The blundering duo run afoul of mobsters and experience other mishaps during their investigation.

Gote and Eli are two aging friends who don't want to age. Gote is a lifeguard who's fighting peepers on the Tel-Aviv beach. Eli is a guitar player who dreams of building a night club in altman's restaurant.

Documentary following Uri Zohar on the set of a short film he's directing, years after leaving the cinematic world for the religious world.

A musical, semi-documentary motion picture considering the making of "Shablul", a rock album by Arik Einstein and Shalom Hanoch. The film demonstrates fragments of being, a few funny sketches and musical numbers, much affected by The Beatles' flicks. "Shablul" reminds its viewers the taste of 60s, showing them the Israeli pop/rock scene of these jolly years.

The movie, set in the Israeli 1969 War of Attrition, tells the story of a prestigious military band, and the tensions and ego crises new band members cause when joining the band. Will the band survive?

A group of children embrace an eccentric old man, and working together, build a ship on a rooftop.

A collection of skits and songs from Israeli television shows from the 1970s.

A slapstick comedy lampooning bureaucracy and the madness of everyday life in Israel centers on an escaped lunatic who digs up the streets of Tel-Aviv with a drill.

Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?

An aging soccer player has a part-time girlfriend, a young fan, and doubts about throwing a game.

An American reporter and his girl-friend are visiting Israel to get a "sense of the people", in the process he meets many Israelis and some Arabs as well, particularly becoming friends with an Israeli Army reserve officer as well as an idealistic young man who is a pacifist.

A little group of people in Israel decides to track down a treasure which, according to the legend, is placed in the city of Petra in the kingdom of Jordan. No man ever survived this treasurehunt "to the other side" (of the Jordan River) before and the adventure ends up with fatal consequences.

Comedy about day to day life of a Gordon beach lifeguard and his friends.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

Professional big-dude Paul Smith in an Israeli-produced action-comedy that looks to take inspiration from the Hill/Spencer comedies.

Sergeant Gidi Tsur (Topol) serves in the reserve in the Suez Canal. He goes on vacation and is supposed to meet with his wife to get divorced in the Rabbinate. Meanwhile, he spends his time in the company of other women.

Benny Furman is a basketball headcoach who can't decide what he really wants.

A comedy about Moishe, a soldier in the army whose nickname is Moishe Air-Condition.

Hundreds of hours of raw material shot by Nathan Axelrod, a pioneer of Israeli filmmaking before the State of Israel who documented the building of the Jewish Yishuv in Palestine – are the building blocks of the film before us: Meir Dizengoff riding his horse, Hannah Maron as a young girl trying to sell us shoelaces, the inauguration of the new port in Tel Aviv, settlers breaking ground in Hanita, the Habima Theater and Hannah Robina, the stars of the Matateh Theater, two kids tap-dancing, Ben Gurion and Shlonsky`s hair-dos, a Tel Aviv soccer match, the illegal immigration, scenic shots (swamps and desert), and more and more from the never-ending treasures of the “Carmel Films” archive.

An experimental and absurd avant-garde film about a bunch of unrelated people, all standing on the side of the road waiting for the traffic light to change from red to green, but the traffic light won't change. More and more people gather on the sidewalk, and a kind of class society is formed there. The film was shot during one day in which Ephraim Kishon lent Uri Zohar the set of "Blaumilch Canal" at Herzliya Studios.

The story of a soccer team, respectable families, a corrupt night club owner, and a young lad to guide all to a happy ending.

3 friend try to have swingers night.