Fei Wu

Healthcare reform in Hong Kong is a controversial topic. The government plans to privatize public hospitals and raise funds to maintain operations. Marshall Paxton, a leading public hospital, has become a pilot for reform. This drama focuses on the everyday workings of medical professionals and the politics behind the healthcare industry in Hong Kong.

Ling Lai-Ying and her husband Wong Wing-Ching have worked hard to develop their modest tea restaurant into an entrepreneurial success involving real estate investing and business. Lai-Ying’s younger brother Ling Shing-Fung even tries to help them get the company listed on the stock market. Initially, Wing-Ching does not agree with this. After seeing the century-old family print business run by his benefactor Hui Nga-Lun, who helped him get acquitted of a charge years ago, on the verge of bankruptcy, Wing-Ching agrees to Shing-Fung’s proposal by merging the two families’ businesses for mutual benefit. However, complications arise when other family members oppose the idea, and the social inequality between the two families causes more conflicts. Soon, the two families find themselves on the brink of open hostility and a massive war for revenge brews.

Thirty years ago, hardened criminal Yip Siu-tin is arrested for armed robbery and sentenced to prison. Siu-tin’s daughter, who has handled the loot, changes her name to Cheung Sum-yuet and starts a new life. She also gets married to yacht company boss Yen Ho-yin. Meanwhile, Chong Chi-kiu is a kid left behind by an accomplice who has died because of the robbery. Kind-hearted Tang Sing-him becomes his foster parent. A traffic accident causes Chi-kiu and Sum-yuet to run into each other again. But this accident somehow has something to do with Siu-tin, who is just released from prison. Sum-yuet can no longer avoid Siu-tin, who is a nightmare to her. Her marriage also has certain issues. Police officer Yeung Yan-hiu intervenes by launching an investigation, and she keeps going after Siu-tin and Chi-kiu. Unresolved grudges for thirty years are again put on the front burner. Everyone implicated in a robbery of yesteryear is drawn into this mess.

Seasoned Chinese frog closure instructor Kwok-Law Mei-lan has raised her children and grandchildren by herself. She discovers everybody’s issues before her 70th birthday. Her eldest son Kwok Tak-kan’s business has failed, and he is also divorcing his wife Tian Yu-fei. Her second daughter Kwok Tak-bo and her son Kwok King-hin are drifting apart, and her relationship with her boyfriend has also ended. Her youngest son Kwok Tak-ming loses his job as Tak-kan has got him into trouble. While Mei-lan wants to help her children solve their problems, she also plans to team up with her favorite disciple Chong Zi-chang to pass down the craft. Meanwhile, Tak-kan and his siblings keep contradicting each other. And gangster Kwok Chung-shek abruptly shows up and claims he has 50% ownership of the Kwoks’ property. Can Mei-lan’s strict adherence to the Kwoks motto “Keep walking and there’s a way out” unite family members in the confrontation against the enemy?

It follows secretary Amelia Wong (Ali), who restarts her life after ending a long relationship. She returns to work, meets new people, and develops a relationship with her boss Matt (Moses). Much like many of the people in her life, Amelia takes initiative to search for a journey—a journey of love, of finding oneself, and of finding one’s dreams.