Micaela Cyrino

Province of São Paulo, 1870. An enslaved man flees through a dense forest in search of a supposed quilombo. On his heels are two "capitães-do-mato" with orders to capture him at all costs. But the forest, in its depths, harbors mysteries and ghosts capable of surrounding them in a trap.

40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.