Frank Rottmann

Based on Philippe Garbit's short story “Je la regarde dormir,” a woman is accused of a cruel crime by a man who claims to be her friend. After many sleepless hours, the boundaries between madness and reality begin to blur, and at her last supper the man becomes the judge of life and death.

A political and poetic reflection on the nature and effects of revolutions. An exemplary starting point for this essaystic film is the March Revolution of 1848 in Vienna. What remains of a revolution? When is it considered to have failed and when and how are its achievements manifested? - The film combines historical struggles with today's forms of resistance and reflects on how the practice of collective memory inscribes itself in the present of a city and the actions of its residents. In view of current political developments, the film asks following Walter Benjamin: Do we have to protect the achievements of the past from the present?

Andi shares a deserted building with a group of fellow-squatters he considers his family. One day his sister turns up unexpectedly with her small son Levi, seeking refuge from her abusive boyfriend; she has nowhere else to turn. So Andi suddenly finds himself in the role of uncle, the squat is transformed into an alternative kindergarten, and the estranged pair become the siblings they once were.

Adnan is obsessed with going to his ex-wife's housewarming party. Unfortunately, he isn't invited.