Austen Rydell

At the very end of the 1970s, post office worker Ed Saxberger wrote a book of poetry that nobody cared about. After an eager and flattering fan appears on his doorstep, Saxberger is beckoned into a coterie of young admirers who anoint him a rediscovered genius. The group of downtown bohemians is led by their "tragic heroine," Gloria. Intoxicated by the attention, and Gloria's alluring presence, Saxberger gradually reckons with the authenticity of his newfound poetic circle.

The story of Bea Johnson from birth to graduation as she navigates life with an intellectually disabled parent and an extended family who can't quite agree on the best way to help.

The man behind the legend and a knowing look at 1950s Hollywood are revealed in this dynamic biopic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without a Cause and Giant.

A Lebanese-American teenager gets expelled from school and is forced to drive cross-country with his neurotic mother. What begins as punishment becomes the longest, funniest, and most unexpectedly meaningful trip of his life.

The lives of two unambitious duplex neighbors, divorced father, hot-tempered, blues-obsessed documentarian Roper and wealthy golf-playing wastrel Andy, are compared. Both have loved ones who want them to do something with their lives.

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.