Manoranjan Ghosh

A 1949 Indian Bengali Film directed by Satyen Bose.

Pravanjan Haldar was a professional matchmaker. He and his uncle Bhombal did this business together. One day Niladri's grandfather called Bhombal and asked him to find a perfect match for his grandson. Prabhanjan and Bhombal started to find the suitable girl. Unfortunately, a single misunderstanding totally changes the scenario. Subhra a modern, young girl who had the ability to become the perfect match with Niladri suddenly faced such a situation where she had to marry an old man. Her all friends and other associates protested against such a decision but Subhra stuck to her words. Oneday she met Niladri and they started to like each other from that very moment. Within few days there, relation became deeper and they wanted to start their life together. After a funny drama, everything solved and Niladri married to Subhra and led a happy life.

A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).

Nani, a witty college student lives an intriguing life with his friends and suddenly falls in love with Manasi. His life now has only one mission: to get married to Manasi. One of his friends, Dilip, comes up with different plans to help accomplish the mission.