Brett Halsey

Acting

Brett Halsey

Born June 20, 1933 · Santa Ana, California, USA (age 93)

From Wikipedia, the free encyclopedia Brett Halsey (born June 20, 1933, in Santa Ana, California), is an American film actor, sometimes credited as Montgomery Ford. He is best known as the original John Abbott on the soap opera The Young and the Restless, a role he held from May 1980 to March 1981, before being replaced by Jerry Douglas. Description above from the Wikipedia article Brett Halsey,…

Known For

The Godfather Part IIIThe Godfather Part III · 1990
The Godfather Part III
7.41990
MovieCrimeDrama
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Today We Kill, Tomorrow We Die!Today We Kill, Tomorrow We Die! · 1968
Today We Kill, Tomorrow We Die!
6.01968
MovieWesternThriller
A man, released after a jail term for a crime he did not commit, raises a gang to go after the man who framed him.
To Hell and BackTo Hell and Back · 1955
To Hell and Back
6.61955
MovieActionRomance
The true WWII story of Audie Murphy, the most decorated soldier in U.S. history. Based on the autobiography of Audie Murphy who stars as himself in the film.
The Man from the AlamoThe Man from the Alamo · 1953
The Man from the Alamo
6.61953
MovieWestern
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?
The Black Shield of FalworthThe Black Shield of Falworth · 1954
The Black Shield of Falworth
6.21954
MovieAdventureHistory
In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day, they journey to Macworth Castle. There, Myles falls in love with Lady Anne Macworth, makes friends and enemies, and learns to be a knight.
Revenge of the CreatureRevenge of the Creature · 1955
Revenge of the Creature
5.61955
MovieHorrorScience Fiction
In a tributary of the Amazon, a monster – half-man, half-fish – is captured and placed in a reservoir in a Florida national park to be observed by scientists.
I Want to Live!I Want to Live! · 1958
I Want to Live!
7.01958
MovieDramaCrime
Brazen perpetual offender Barbara Graham tries to go straight but she finds herself implicated in a murder and sent to death row.
Return of the FlyReturn of the Fly · 1959
Return of the Fly
6.11959
MovieHorrorScience Fiction
Fifteen years after his father's experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.