Edwina Zajdermann

The Farels are a power couple: Jean is a prominent French pundit and his wife Claire an essayist known for her radical feminism. Together they have a model son, Alexandre, who is a student at a prestigious American university. During a brief visit to Paris, Alexandre meets Mila, the daughter of his mother’s new partner, and invites her to a party. The next day, Mila files a complaint against Alexandre for rape, destroying family harmony and setting in motion an inextricable media-judicial machine that posits opposing truths.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A working woman, mother a three children, realizes that, when her youngest one is about to go to Canada to continue her education, she will end up out of her most precious goal, being a mother.

A movie director goes to the Paris Opera to shoot his new film. Lacking inspiration, he looks for ways out of his solitude and fear of failure. With each step forward, his imagination reveals itself to him, and mysterious characters lead him towards his desire to create and love.

In the locker room before an event intended to raise funds for their club, the girls on a cheerleading team argue with their coach about the outfits they are required to wear.

Malik Dahmani, a brilliant but hot-headed police captain from the Paris region, who, after exposing police brutality, is forced to go into hiding in the Cévennes mountains to lay low. But stuck in this Cévennes valley, which is too peaceful for his liking, as if time had stopped... Malik is going round in circles and can only think about going home. Then a body is discovered in the forest. Our cop finds himself having to investigate alongside Gaëlle, a local police lieutenant, who, like the inhabitants of this remote area, seems keen to preserve its secrets.